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Mediengeographie: Handbuch für Wissenschaft und Studium
by Tristan Thielmann (Universität Siegen, SFB) and Max Kanderske (SFB)
In the new book by Tristan Thielmann and Max Kanderske, the field of media geography is situated at the intersection of media studies and human geography. The aim of this handbook is to trace the development of media geography and to provide a comprehensive overview of the current field of research—ranging from the geography of books to the geography of film and video games, and on to the geography of the Internet, smartphones, and AI.
About the book
The Internet of Things, Big Data, drone media, artificial intelligence, mobile GIS, and sensorized life: geodata are increasingly shaping our everyday lives and academic discourse. Published by Nomos, this handbook provides a comprehensive overview of current research questions emerging at the intersection of geography and media. On the one hand, it offers subject-oriented overview articles; on the other, it brings together programmatic contributions that have proven influential and forward-looking for the field. Contributors include Bruno Latour, Tim Ingold, Karen Caplan, Sarah Pink, Mark Andrejevic, James Ash, and Jessica McLean. An overview is provided in the introduction, which is available via academia.edu.
The work of Collaborative Research Centre 1187 “Media of Cooperation” is reflected in several contributions to the handbook: As head of project P04 “Precision Farming: Co-operative Practices of Virtual Fencing”, Tristan Thielmann examines the field of digital animal geographies; Sebastian Gießmann, head of project A01 “Digital-Networked Media between Specialization and Universalization”, traces the historical development of internet geography; and Max Kanderske, research associate in project A03 “Navigation in Online/Offline Spaces”, provides an introduction to the practices and discourses of digital real-time geography.
Further information can be found in the interview with the editors.
University members will soon have access to the digital edition of the handbook via inlibra.
About the authors
Tristan Thielmann is Professor of Science, Technology and Media Studies at the University of Siegen and Deputy Spokesperson of CRC 1187 “Media of Cooperation.” He is also the principal investigator of the projects A03 – Navigation in Online/Offline Spaces and P04 – Precision Farming: Co-operative Practices of Virtual Fencing. His research focuses on media geographies, media and technology history, navigation studies, and cultural cartographies. His areas of interest also include ethnomethodologies and technomethodologies, as well as the study of media and technologies in spatial and social contexts.
Max Kanderske is a research associate in project A03 “Navigation in Online/Offline Spaces” at the Siegen CRC “Media of Cooperation.” Beyond navigation studies, his research interests include sensor-mediated environments and digital game spaces. He is also co-editor of the Game Studies journal “Spiel|Formen.”
Beyond Informed Consent: Consumer Data Preferences and the Case for Enforcement-Oriented Transparency
by Prof. Dr. Maximilian Becker & Catalina Goanta (University Siegen, SFB)
How are digitalization and artificial intelligence changing the structures of private law? In this working paper, Maximilian Becker examines the legal challenges posed by digital technologies from the perspective of civil law. The paper analyzes how data-driven systems, algorithmic decision-making processes, and new digital business models are influencing existing structures of private law and explores the extent to which current law can meet the demands of the digital transformation.
→ Link Working Paper
About the Working Paper
Digital markets have fundamentally altered the conditions under which consumers engage with data-driven platforms, yet regulatory frameworks, particularly in the EU, continue to rely on consent-based models that presuppose a level of technological literacy and informed agency that most users do not possess. Drawing on existing empirical evidence from five studies across the US, UK, and EU, this paper departs from the empirical argument that consumer preferences regarding personal data are highly unstable and shaped by framing and trust rather than genuine, well-formed values.
Consumers systematically overestimate the privacy protections offered by paid services, accept personalization without understanding its commercial scope, and disregard privacy notices regardless of their clarity. This argument exposes the structural failure of transparency-as-disclosure as a regulatory strategy: informing consumers better does not fix markets distorted by asymmetric information and complex, layered business models.
Rather than doubling down on consumer-facing transparency obligations, this paper proposes a shift toward enforcement-oriented business-model transparency, under which platforms would be required to disclose aspects such as data flows, monetization strategies, but also algorithmic processes to regulatory authorities and civil society. The Digital Services Act and the General Data Protection Regulation already point somewhat in this direction. Building on this logic, the paper proposes further machine-readable transparency as a complement to existing information obligations.
About the Authors
Prof. Dr. Maximilian Becker is a professor of civil law, intellectual property law, and media law at the University of Siegen. His research focuses on civil law with connections to medical law, data law, and information technology law, as well as on IT law, media law, and competition law. He studied German and European business law at the University of Siegen and earned his doctorate there in 2012 with a dissertation on “Absurd Contracts.” After serving as an assistant professor at the University of Siegen and as a professor of data protection law and IT law at Leibniz University Hannover, he has been a professor at the University of Siegen since 2021. In addition, he is a subproject leader for the project A07 – ‘The Personal Data Industry’ at SFB 1187 Media of Cooperation (University of Siegen).
Catalina Goanta is an Associate Professor in Private Law and Technology and Principal Investigator of the ERC Starting Grant HUMANads, focused on understanding the impact of content monetization on social media and on reinterpreting private law fairness in the context of platform governance. Between 2016-2021 she was Assistant Professor at the Faculty of Law at Maastricht University, and during February 2018 – February 2019, she was a Niels Stensen fellow and visited the University of St. Gallen (The Institute of Work and Employment) and Harvard University (The Berkman Center for Internet and Society). She has been a mercator fellow at the SFB since 2025.
About the Working Paper Series
The Working Paper Series of SFB 1187 “Media of Cooperation” brings together current contributions from the field of interdisciplinary and transdisciplinary media research. The SFB Working Paper Series offers the opportunity for pre-publication and rapid dissemination of research work currently being carried out at the SFB or related to it. The aim of the series is to make SFB research accessible to a broader research community. Publication in the Working Paper Series does not preclude the publication of revised versions of the same contribution in other journals. Contributions from postdocs and established researchers are welcome. The series is intended as a publication forum for the researchers represented in the SFB, their projects, and their ongoing research. Contributions are published in open access and in a limited print edition. If you would like to publish an article in the Working Paper Series, please submit your topic proposal in the form of an abstract (max. 300 words) together with a short CV (max. 50 words). For manuscript submission, please refer to our styleguide.
Funded by the German Research Foundation (DFG) – Project number 262513311 – SFB 1187. Editorial responsibility: Karina Kirsten, University of Siegen & SFB 1187 Media of Cooperation.
The SFB cordially invites you to the defense of Niklas Strüver’s doctoral thesis.
Monday, July 27, 2026, at 11:00 a.m. in Room AH-A 217/18.
During the defense, the findings of his dissertation will be presented to the examination committee and academically defended. The title of his dissertation is “Speaking on behalf of the periphery: Third-party relationships in Amazon’s Alexa ecosystem” and it examines the developmental dynamics of the voice assistant Alexa from the perspectives of infrastructure and platform theory. Drawing on the four articles presented, the dissertation explores how Alexa functions as an infrastructure and platform for third-party providers in business and academia, and what sociotechnical power imbalances arise in the process. This analysis allows for an examination of the social relationships that Amazon, as the manufacturer, enters into with complementary providers on the periphery of the platform. Through various empirical approaches, it is possible, despite the usual secrecy maintained by large corporations, to gain insight into the development of technologies that are present in the everyday lives of many people.
It will be conducted in German and supervised by the two examiners, Dagmar Hoffmann and Armin Beverungen.
Niklas Strüver (M.A.) ist wissenschaftlicher Mitarbeiter im Projekt B06 („Un/erbetene Beobachtung in Interaktion“) und Doktorand am SFB 1187 „Medien der Kooperation“. Er studierte Soziologie mit einem Schwerpunkt auf Techniksoziologie an der RWTH Aachen und schloss dort den Master of Arts ab. Seine Forschungsschwerpunkte liegen u.a. in den Bereichen Techniksoziologie, Science and Technology Studies sowie Platform Studies.
The 2026 annual conference of the Collaborative Research Center 1187 “Media of Cooperation” explores the politics of cooperative sensing and sense-making in a time marked by geopolitical and climate catastrophes, anti-democratic backlashes and the rise of authoritarian regimes—all of which are phenomena closely intertwined with increasing datafication, generative AI developments, and the growing power of Big Tech.
→ Check out the program and register now
Around the world, we find ourselves confronted with these complex entanglements, whose environmental, political and societal costs are distributed unevenly. While digital technologies enable new forms of cooperation, their energy consumption also contributes to environmental disasters. At the same time, it is precisely these digital technologies and infrastructures that are increasingly becoming sites of violence, from algorithmic discrimination to gendered and racialized forms of harassment and disinformation.
Against this backdrop, the annual conference examines how cooperation is being reshaped in today’s sociotechnical environments. It explores how various alliances—between states and Big Tech companies on the one hand, and between researchers, activists, artists, and communities on the other—negotiate the possibilities and limits of public action and perception. How do media and data practices contribute to new forms of control and how are they challenged via digital protests or anti-tech initiatives? And how can cooperative practices and protests also enable resistance and democratic engagement?
Bringing together scholars, activists, artists, filmmakers and journalists, the conference invites participants to inquire into the politics of media, data, and sensory practices, and to explore the role of cooperative forms of sensing and sense-making.
The conference is organized around three key thematic areas:
Area 1: Digital Power and Techfascism
In this section, we examine emerging alliances between governments, technology corporations, and far-right digital cultures. It focuses on current formations of violence and power: the cooperation between governments and Big Tech on the one hand, and the rise of the global far-right enabled by deregulated social networks on the other. Topics include digital violence, disinformation campaigns, the affective politics of online communities, techfascisms, and debates around digital sovereignty.
Area 2: Sensory Conflicts and Mediated Wars
This area explores how contemporary conflicts, from wars to geopolitical tensions, are experienced, mediated, and interpreted through digital technologies. It addresses major geopolitical and media-technological shifts, including the digitally mediated forms of witnessing wars and conflicts, as well as the fundamental expropriations of land, water, and resources underpinning digital media, which become visible through practices of extractivism, and the sensory confusion produced by disinformation and generative AI.
Area 3: Resistance, Cooperation and Democratic Practices
Alongside critical diagnoses discussed in the other two areas, this part of the program highlights practices of resistance and democratic engagement from activist research and digital anti-facist initiatives. The third section therefore explores interventions in the radicalization and fascistization of societies, how scholars and universities can act together with civil society to counter anti-democratic processes in which Big Tech and other corporations are actively implicated.
As part of the annual conference, Prof. Dr. Erhard Schüttpelz will deliver his farewell lecture, which will include a laudatory address by Prof. Dr. Rembert Hüser. The farewell ceremony will be held in German.
Venue
University of Siegen
Campus Unteres Schloss
US-S 001 / 002
Obergraben 25
57072 Siegen
We are delighted to announce the programme for the forthcoming Autumn School, Synthetic Social Media: Studying Platform-Embedded AI, taking place at the University of Siegen, 22–25 September.
The programme is organised around three themes: AI Slop / Slopification (Day 1), Chatbot / Appification (Day 2), and Persona / Affective Infrastructure (Day 3), featuring presentations by Stijn Peeters, Marloes Geboers, Salvatore Romano, Carine Roos, Giorgia Arbuti, Natalia Stanusch, Tanja Sihvonen, Jimmy Mäkelä, Natalia Sánchez-Querubín, Nuppu Pelevina, Lilli Sihvonen, Elena Pilipets, and Marcus Bösch.
The three themes are brought into conversation through keynotes by Gabriele De Seta, Esther Weltevrede, Sara Messelaar Hammerschmidt, and Carolin Gerlitz, followed by collaborative method-mapping workshops in breakout groups supported by data designers Ángeles Briones and Riccardo Ventura.
Reflecting on synthetic/human-machine co-created data, participants will brainstorm ways to combine different methodological pathways, analytical techniques, and research tools to study platform-embedded AI through qualitative inquiry and critical technical practice. The workshops integrate hands-on data exploration and visual mapping on Miro boards, using methodological prototyping as a mode of inquiry. Each workshop is tailored to the day’s theme, exploring questions of field access/data collection, research tool inscriptions, sense-making/sensing, methodological frictions, and the ethical challenges posed by synthetic data and AI-mediated environments. The specific affordances of the media phenomena at hand are central. Our main interest is to explore how these affordances inform the method(s).
The Autumn School concludes (on Day 4) with a collective reflection on the outcomes of the method mapping workshops, bringing together the insights and questions that emerged over the course of the programme.
Venue
Universität Siegen | Campus Herrengarten
AH-A 217/18 | Herrengarten 3 | 57072 Siegen
In an interview with the Institute for Network Cultures, Sebastian Gießmann, PI of A01: History of Digitally Networked Media between Specialization and Universalization, answers questions about his newly published book on credit cards and discusses the theory of digital payments.
→ You can read the interview here (in German)
The project B09, “Bicycle Media: Collaborative Mobility Media,” led by Julia Bee, has recently set up a Wikipedia account, on which they have now published an article about bicycle feminism.
Extract from the article
“Bicycle feminism refers to feminist perspectives on bicycle mobility, transportation infrastructure, and bicycle culture. Bicycle feminist perspectives view the bicycle and cycling as a means of feminist self-empowerment. They focus in particular on gender-specific experiences related to issues of safety and freedom of movement in road traffic, as well as the historical overlap between bicycles (and cycling) and feminism.”
If you’re interested in learning more about this topic, we recommend attending the project’s annual conference on September 17 and 18 in Bochum. More information can be found here.
About Bicycle Media
Mobility is a cooperative process shaped by diverse media, social, and infrastructural practices. Cycling, too, is conditioned by the interplay of diverse technologies, infrastructures, bodies, images, and public spheres. At the same time, bicycle mobility is neither neutral nor equally accessible to everyone: it is shaped by social power relations and diverse experiential worlds.
Against this backdrop, the annual conference of the research project “Bicycle Media—Cooperative Practices of Mobility” (SFB 1187 “Media of Cooperation”) examines the bicycle itself as a medium of public sphere and participation: as a form of mobility that connects people, places, perspectives, and knowledge, thereby enabling a specific appropriation of space. The conference takes as its starting point an expanded concept of media that encompasses not only audiovisual and digital formats but also understands (care) practices such as repair, activism, or collective cycling as forms of mediation.
Our perspective on cycling is shaped by media. Conversely, cycling also shapes media spaces. In this context, the papers presented at the annual conference examine the bicycle (and cycling) as a medium of embodied experience and perception, particularly in relation to public discourses, affects, bodies, and infrastructures. The conference will discuss diversity-sensitive and intersectional perspectives on bicycle mobility, for example with regard to mobility conflicts, gender and class relations, as well as unequal conditions of access and representations.
Successful habilitation and inaugural lecture at the University of Cologne
In addition to his recently published and critically acclaimed work Das Kreditkarten-Buch (2026), Sebastian Gießmann’s publications include his earlier book Netze und Netzwerke from 2015, which has been translated and published in 2024 as The Connectivity of Things. Furthermore, as part of his habilitation process, he will now deliver his public inaugral lecture at the University of Cologne. All interested parties are cordially invited to attend.
The lecture is titled: “Anthropic Studies: Media Cultures under the Conditions of Artificial Intelligence”
About the lecture
The introductory lecture proposes, through the lens of Anthropic Studies, a situated examination of current, neo-connectivist artificial intelligence. It adopts a symmetrical perspective that draws on both media and cultural studies as well as Science and Technology Studies. The works of Susan Leigh Star and Phil Agre serve as theoretical reference points here. Isn’t “AI” the most ambiguous borderline object that computer science has ever produced? If we are to survive the current super-controversy surrounding AI and its planetary consequences, we must first situate the technology within its institutional ecologies and grammars of trade. Enter the scene: Claude, the chatbot from Anthropic. The prompt for the lecture is: “Tell us a little about your state of mind, Claude.”
June 10, 2026, 4:00 p.m. (s.t.)
University of Cologne
Faculty of Philosophy
Seminar Building (106), 1st Floor, Room S11
Universitätsstr. 37, 50931 Cologne
Open Street Map: https://www.openstreetmap.org/way/128504202#map=19/50.926836/6.927502
Google Maps: https://maps.app.goo.gl/qdTXs5S8APUekLGLA
As part of this year’s Spring School, students, civil society representatives, and scholars worked together for two and a half days to explore conflicts surrounding the topic of extractivism using creative methods such as waterscaping, collages, and mapping. In addition to local extraction sites and stories from the Ruhr region, this year’s event addressed international extraction regions and practices “above and below ground.” Understood as a system of exploitation, extractivism leaves the Earth with no means of regeneration and brings with it social upheaval and conflicts, including human rights violations. Extractivism is one of the greatest transformers of the Earth through mining, but also through extractive infrastructure. Extractivism is also largely responsible for the climate crisis. A focus was placed on developments in the field of artificial intelligence, which will massively exacerbate the consequences of extraction in the future.
Extractivism and AI
The presentations by international guests focused on fossil fuels, which still shape the Ruhr region today—but also on minerals and rare earths used in digital technologies. In addition to rare earths for batteries, chips, and other devices, the discussion also critically examined AI infrastructure, such as data centers. Due to the implementation of AI bots and geopolitical conflicts worldwide, AI is an urgent issue not only socially but also ecologically. The enormous consumption of water and energy by the data centers that form the basis of artificial intelligence, as well as the contested minerals required to manufacture the necessary computing chips, make AI one of the fastest-growing consumers of resources worldwide. Speakers and participants critically discussed both the perspective of global extractivism and the local impacts of such tech infrastructures. Data centers, which have a massive impact on water consumption, and so-called click-work centers, where content moderation, data labeling, and other low-paid tasks are carried out, are often outsourced to the Global South, but can also be found in Germany and the Ruhr region. Globally, they contribute to local extractive structures. Postcolonial and feminist perspectives on mining, labor, resources, and sacrifice zones are therefore indispensable for understanding the issue of extractivism through AI infrastructure.
Through this broad perspective on the practices of extractivism, the many social sectors affected by the consequences of extractivism were able to be connected with one another in the workshops. Media studies, through this climate-just and extractivism-critical perspective, is also brought back to its material foundations in the sense of the media geology of theorist Jussi Parikka (see also Noam Gramlich’s work on this).
The first evening opened with an introduction to the topic of extractivism and media, followed by three keynote speeches and a panel discussion on the topics of “Revier Noir” by Frederike Lange from the German Mining Museum, “Queerness in Historical Mining between the Ruhr Region and Upper Silesia” by Bochum-based artist Julia Nitzschke, and “Air and Extractivism” by cultural studies scholar and filmmaker Marietta Kesting. In the subsequent panel discussion with the speakers, moderated by media scholar Oliver Leistert, the focus was on the damage caused by data centers, for example, and on how local populations—such as those in the U.S.—are already fighting back against them today.
On the second day, the program continued with hands-on practical workshops: one on the Emscher River led by Natalie Pielok; one on film and climate catastrophe led by Matthias Grotkopp and Maike Reinerth; one on waterscaping led by Rémi Willemin and Alisa Kronberger; and one on the infrastructures of extractivism led by Petra Löffler, Marlene Helling, and Jakob Claus. It became clear in many presentations that extractivism entails long-term costs that still require complex solutions in the Ruhr region as well, such as the disposal of toxic mining residues or the long-term pumping of water from former coal mines.
In addition to academic contributions, artistic explorations were also central, such as in Azadeh Ganjeh’s lecture-performance on gold extractivism and the associated social conflicts as well as political (online) protests in Iran. A photo exhibition in the Quartiershalle by Sara Bahadori raised participants’ awareness of exclusion and marginalization within the climate movement. In a workshop on the “white gaze” on climate issues, the speaker explored the topic in greater depth with a critical and reflective approach.
Impressions from the Spring School
Around 100 participants actively took part in workshops on water, AI, and mining history, as well as in a decolonial city tour of Bochum, led by Marie Sprenger and Florian Trompke. Finally, in a workshop on climate-just teaching on Sunday morning, faculty and students developed content and methods for a future inter-university curriculum on the topic.
The Spring School is an event of the “Public Sphere” project within the SFB Media of Cooperation and creates a public sphere comprising artists, scholars, journalists, and engaged civil society around the contentious issue of the climate catastrophe.
The third Spring School of the MediaClimateJustice working group was organized by Julia Bee, Gerko Egert, Alisa Kronberger, and Julia Reinermann and was made possible, among other things, through funding from the SFB Medien der Kooperation and Ruhr University Bochum. The goal of the Spring Schools on Media and Climate is to anchor the topic of climate more firmly in media studies and society.
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